Pilgrim Clay
V
In this heat hangs that throaty tang only
Cow-dung heaviness gives; tractors are out
Ranging the fields with manure. Swallows have
Just flown in, all swoop and dash; this, all this
Is elemental: breaking open the sod,
The harrowing, the preparing of clay
For the seed. Farming is this tending clay,
Plumbing the smells and stirrings in the earth,
Where brow-sweat precedes an awakening;
A time for what Rilke calls ‘heart-work’:
When our sensings become clay; when swallows
Return to build again precarious nests.
VI
The stars and/or whatever did conspire
In the Institute lobby, an awkward
Gawky youth to be spellbound by beauty
And fragility. Little did I guess
The strength in your grace; your gift to me:
You allowed me to (say it) love you; a first
Intimacy of the heart - a talisman
From which to bless. In the Municipal
We stood, once, gazing at a Leech painting:
A woman, on a parasol afternoon,
Summer green and lilac; you caught me
Attending you, and knew you were beloved.
VII
She took my scout’s hat, looking for a chase;
I pursued with giggling, feigned annoyance
Around the monastery guest house, until
A monk called a halt to our capering;
It was ‘68, ‘The Long Hot Summer’:
Kennedy, King. Terms like: ‘racial violence’,
‘Civil rights’ were new to me. I was learning
The difference between ‘black’ and ‘white’. It was
before Burntollet: ‘Papist’ and ‘Loyalist’,
‘North’ and ‘South’. Perhaps some old innocence
In me hasn’t learned yet that opposites
Can’t be celebrated like ‘boy’ and ‘girl’.
Pilgrim Clay V, VI, VII
- Jimmy O'Connell
- Posts: 881
- Joined: Thu Aug 17, 2006 10:14 pm
- Location: Ireland
Pilgrim Clay V, VI, VII
Oh bless the continuous stutter
of the word being made into flesh
-The Window-
of the word being made into flesh
-The Window-
- Christopher T. George
- Posts: 96
- Joined: Thu Mar 08, 2007 4:48 pm
- Location: Baltimore, Maryland, USA
- Contact:
Hello Jimmy
Poem V seems the strongest of these three pieces although all three have much interest.
In VI, I very much dislike "The stars and/or whatever" and feel you could do better there... other parts of the same poem are stronger but "and/or whatever" seems weak and teenagerish (sorry!!!!!).
I like the the ranging between conflicts in VII and the incident with the monk. Nicely done. "capering" might be a bit too whimsical, I'm not sure.
A good series, Jimmy. Keep up the good work.
Chris
Poem V seems the strongest of these three pieces although all three have much interest.
In VI, I very much dislike "The stars and/or whatever" and feel you could do better there... other parts of the same poem are stronger but "and/or whatever" seems weak and teenagerish (sorry!!!!!).
I like the the ranging between conflicts in VII and the incident with the monk. Nicely done. "capering" might be a bit too whimsical, I'm not sure.
A good series, Jimmy. Keep up the good work.
Chris
Christopher T. George
http://chrisgeorge.netpublish.net
http://chrisgeorge.netpublish.net
- Jimmy O'Connell
- Posts: 881
- Joined: Thu Aug 17, 2006 10:14 pm
- Location: Ireland
Point taken about the "whatever"... but I am sticking to it. In fact your "criticism" of it confirms my choice of phrase... it is teenagerish... I was that teenager!!!!
Thanks for the rest of the comments... always good to get feedback...
Thanks for the rest of the comments... always good to get feedback...
Oh bless the continuous stutter
of the word being made into flesh
-The Window-
of the word being made into flesh
-The Window-