Irving Layton

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jarkko
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Post by jarkko »

This is on the front page of Globe and Mail http://www.theglobeandmail.com
(both photos linked from the Globe and Mail website)


Image
Leonard Cohen leaves poet Irving Layton's
funeral in Montreal on Sunday.
Photo: Ian Barrett/CP

Here is the story from
http://www.theglobeandmail.com/servlet/ ... rtainment/
Irving Layton remembered as iconic wordsmith
Leonard Cohen and Moses Znaimer among crowd at poet's funeral Sunday, January 8, 2006
Canadian Press

Image

Leonard Cohen, right, helps carry the casket of his old friend
and fellow poet Irving Layton after funeral services
in Montreal on Sunday.
Photo: Ian Barrett/CP




Montreal — Irving Layton, who achieved an iconic status on the Canadian literary scene with his gritty poems, was remembered Sunday as a challenging yet inspiring wordsmith.

A crowd including poet and singer Leonard Cohen, media mogul Moses Znaimer and federal Justice Minister Irwin Cotler were among the mourners at his funeral in west-end Montreal.

They all recalled Layton as a teacher, friend and an artist who used his work to make people think about life's great issues.

Layton died Wednesday at the age of 93 in a long-term care facility. He had been suffering from Alzheimer's disease.

A prolific writer, he published more than 40 books of poetry and prose during more than five decades.

Layton was named to the Order of Canada in 1976, held several university posts as poet- or writer-in-residence and was nominated for the Nobel Prize for literature in 1982

Thanks to Bryn Davies for the link
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ForYourSmile
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Post by ForYourSmile »

Tchocolatl wrote: "Hommage de Leonard Cohen
Le chanteur Leonard Cohen, l'un de ses amis, a dit à l'annonce de sa mort: « Il y avait Irving Layton, et il y avait les autres, ajoutant, « C'est notre plus grand poète. La maladie d'Alzheimer ne l'a pas fait taire, et la mort ne le fera pas non plus »."

Source : http://www.radio-canada.ca/arts-spectac ... layton.asp
As Fljotsdale has said the Altzheimer it is a terrible disease. A hard way of faring, it can leave an unworthy memory.

If some day I lose a friend of this way, I would go to his funeral showing his young photo and saying: "This is my friend; he is brave, strong, tender, sweet, virile, revolutionary, provocative, brillant... forever"

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Bobbie
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Post by Bobbie »

Our good friend Ania posted this one to the old and nearly defunct LC stomping grounds, alt.music.leonard-cohen, and I haven't seen it here on the forum yet.

My apologies if it's somewhere here already.

http://www.brooksbulletin.com/news/ente ... emid=47778

B
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lizzytysh
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Post by lizzytysh »

Thank you so much to Bryn. With Leonard wrapped for warmth, this is such an unbelievably splendid photo of Leonard, evoking so much love for his dear friend, Irving.

The photo of him carrying the casket makes me think of him girding up his friend, one last, literal time. His remembering of his friend is palpable.

The photo of Leonard with the book clearly reveals the message that ForYourSmile has given it, evoking Leonard's testimony that, Alzheimer's be damned, Irving left this world, the same as he lived in it, with the roar of a lion. Leonard will never abandon his message or his friend. Looking at it makes me feel like weeping, seeing the beauty of uncompromising loyalty made manifest.

Love,
Elizabeth
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lizzytysh
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Post by lizzytysh »

Stephen Marche has nauseated me with his shameful words, which I've just now read. The editorial staff clearly failed in their assigned responsibility when they let this pass. This comes across as a long-awaited vendetta. When I read at the bottom the introduction to other links, regarding 'read more by Stephen Marche,' I thought you must be kidding. I have no desire to ever read anything more by this person. His writing is disrespectful, pitiful, and despicably cheap. This is his idea of a literary obit? It seems Stephen is a person deeply envious of the indelible mark Irving Layton has made in Canadian and literary history... and, here, is the embodiment of the adage that "Those who can't do, critique."

The beautiful and sensitive article, with the link thankfully originating with Ania and brought here by Bobbie, ironically is from the Entertainment section, reveals him in various roles, his monumental verve for life, and bears more serious witness to the literary man that Irving Layton was, and as Leonard has stressed, will remain, than a single word of Marche's.

~ Elizabeth
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Globe and Mail Article

Post by Anne »

http://www.theglobeandmail.com/servlet/ ... 3D20060109

Layton inspired a generation, friends and family say
MICHAEL POSNER
Monday, January 9, 2006 12:00 AM Page A3

MONTREAL -- Irving Layton himself might have protested mightily -- just to stir things up.

Some 700 friends, family members, former students and long-time admirers gathered for his funeral yesterday morning at Montreal's Paperman & Sons -- among them, poet and songsmith Leonard Cohen, broadcaster Moses Znaimer and Liberal cabinet minister Irwin Cotler.

They came to honour the memory of the man considered by many Canada's greatest poet.

Mr. Layton died last week at 93 after a long struggle with Alzheimer's disease.


But despite the celebratory tone, it was a largely solemn affair and, as his friend poet Andy Wainright said afterward, "probably a little formal for Irving.

"He would have leavened the mood."

During a one-hour ceremony, Mr. Layton was characterized by a series of speakers as an irascible, lusty lion of Canadian letters, by turns querulous and tender, raging against inequity and injustice, mediocrity and political correctness, and in his later years, not wanted on the voyage of the Canadian literary establishment.

"Irving would have been very angry if there were this many people here and none of his poems were read," said Mr. Cohen, who flew in from Los Angeles.

Mr. Cohen then read Mr. Layton's The Graveyard, which ends with the lines: "There is no pain in the graveyard, for the voice whispering in the tombstone, rejoice, rejoice."

"Whatever was between Irving and I . . . does not bear repeating," Mr. Cohen added. "But what does bear repeating and will be repeated endlessly are these poems, which live and will continue to live."

Mr. Layton's daughter, Samantha Bernstein -- one of three of the poet's four children who attended the funeral -- also read a poem: her own work, called Layton, Irving. In it, she tells of reading four of her father's poems.

"I looked up six words," she said. "Two of them were not in my dictionary."

Mr. Znaimer, who was a student of Mr. Layton's in Montreal in the 1950s, said that what he would remember most was that, while "he was truly the poet who did the work, he was also the man who would be the poet, play the role . . . teach with celebrity and glamour, and move people with the force of your personality and image.

"I learned a lot from that."

Montreal poet David Solway began with a joke about an old Jew eating in a restaurant, his table heaped with food of every description.

Outside, a poor, hungry Jew watches him eat and finally forces himself to go in. "I haven't eaten for days," he pleads.

The diner turns to him and says, "force yourself."

Mr. Layton, Mr. Solway said, was like the diner in the sense that his table groaned with life itself, "and the rest of us were outside wanting to partake. Force yourself, Irving would have said. That's what he taught us to do."

In his eulogy, Mr. Solway said Mr. Layton's poetry constituted a warning against pedantry, consensus and diffidence.

"He taught us not to toe the party line and not to be like him, except in so far as we were like ourselves."

Mr. Layton, he noted, had made himself "a man of his time by being a man against his time, abrasive but warm-hearted. He taught us that poems should strive to make a difference in the world and constitute 'a glow in the darkness of the wilderness we inhabit.' "

Mr. Wainwright, who is also a novelist and literature professor at Dalhousie University, said he shared many happy times with Mr. Layton on the Greek island of Lesbos, sitting, talking, reading and occasionally swimming.

He compared Mr. Layton's swimming stroke to watching leaves turn colour: "You knew it was happening, but you never saw it." He said he could finish half of War and Peace in the time it took Mr. Layton to swim from the beach out to an old abandoned wharf and back.

At which point, Mr. Layton would say, "Nothing like a quick dip."

Poet and University of Ottawa professor Seymour Mayne recalled how Mr. Layton visited his Grade 6 Hebrew school class on June 13, 1957, and asked the class to spell the word "embarrass."

Most of the students could not.

"But then he flipped it around and showed us how the word was close to another word, 'embrace.' It was a rhapsodic balance. He loved to embarrass us -- embarrass the government, the country. But he also embraced us, and his poems will embrace us forever."

Mr. Cotler, a student of Mr. Layton's and later his friend, told the assembly that they were gathered "to remember him, but not to mourn. Irving would have none of that."

Mr. Cotler said he remembered Mr. Layton reading to his class from his then work in progress Red Carpet for the Sun, the 1959 collection of poems that first made his national reputation, "and the poem is alive for me today as it as then." In the introduction to that volume, Mr. Layton wrote that "poetry, by giving dignity and utterance to our distress, enables us to hope, makes compassion reasonable."

"Challenging, probing, audacious, inspiring, use whatever adjective you want," Mr. Cotler said. "He was always, always, the voice of the voiceless, profoundly Jewish although not religious."

At an event in Mr. Layton's honour at Montreal's Centaur Theatre in the 1990s, the poet called Mr. Cotler his "spiritual son." Yesterday, Mr. Cotler returned the compliment, recalling that he had last seen Mr. Layton some weeks ago at the Montreal elderly care hospital where he resided for the last several years. Even with most of his cognitive faculties lost, Mr. Cotler said, "he was for me in that moment, and in many moments, my spiritual father."

Another former student, Gila Cupchik, who drove in from Toronto for the funeral, compared Mr. Layton to a caged lion who prowled the classroom, a rabblerouser who annoyed, vexed and harassed, and the greatest teacher she ever had.

"He demanded attention. After him, you could never buy anything from a salesman, because he taught us to dig deep, to question motives. And he exuded an energy that spoke far louder than whatever the subject was.

"To a 13-year-old girl, he was the epitome of sexuality. And he never bothered with an eraser. He just crossed things off. His life was like that too. He never used an eraser."

Ms. Cupchik wondered whether Alzheimer's patients regained their former lucidity when they passed away. "Because he would give God such an argument."

After the reading of two traditional Hebrew prayers, pallbearers carried Mr. Layton's coffin laden with white roses to a silver hearse.

He is expected to be cremated and his ashes buried on Mount Royal.
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Post by Fljotsdale »

Fantastic posts. You made me cry.
Only just found this video of LC:
http://ca.youtube.com/user/leonardcohen?ob=4" target="_blank

This one does make me cry.
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Geoffrey
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Post by Geoffrey »

I may be wrong, but I think Irving Layton was 'F' in Beautiful Losers. His mother's pet name for him was 'Flamplatz' (Jewish for 'exploding flame') - something Leonard would have known. I'm sorry if this has been mentioned before, but I haven't been able to read all of the recent messages.
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Post by lizzytysh »

Instead of the disgraceful 'obituary' by Marche, it is a pleasure to read ones of grace, such as the one in the Entertainment section, and now this one ~ ones worthy of the man. As Leonard said, " . . . he taught me how to live forever." This theme comes up repeatedly in Leonard's comments, with regard to Irving and his poetry, and is perpetually evidenced in Leonard's work. What better way for him to honour his dear friend and teacher. As always, Leonard made the perfect selection with his reading of The Graveyard.

~ Elizabeth
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lizzytysh
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Post by lizzytysh »

Unless I've missed something, it was partially mentioned, Geoffrey. The fact that his mother had a nickname for him that meant 'exploding flame.' The actual nickname or that it was a Jewish term weren't included and the connection with 'F' in Beautiful Losers wasn't made. It makes sense, though, what you're saying; and Irving certainly lived up to his nickname. Depending on when his mother started calling him that, it sounds like he was a high-energy brightness his entire life.

~ Elizabeth
Tchocolatl
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Post by Tchocolatl »

Geoffrey, many people consider that Layton is - principally - the inspiration for the character F.

I think that this guy would have enjoyed tremendously to have such an irrelevant anti-bourgeois, anti politically correct article (the one some people here are knocking their head on the computer about, you know) at his death.
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Musia Schwarz?

Post by PhilMader »

Musia Schwarta? No mention was made in coverage of Layton's funeral of Musia Schwartz and yet she was his principal outside caretaker at the old age home all these years, when most people were too stunned and too broken hearted to follow through with frequent visits.

Did she even attend?

She must be totally devastated, and left somewhat empty.

I hope she's alright; her selflessness across the years deserves a great , great salute!
Yiddish proverb: Life is a joke
Voo
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Dreams That Cannot Die: In Memory of Irving Layton

Post by Voo »

Dreams That Cannot Die

Living life, that unswerving road, that follows no road map
We travel ever onward on past triumph and mishap
We stop at roadside flower stands and smell the rose's bloom
And buy ourselves some fragrance that begins to fade so soon.

We light a light there in the night 'twixt midnight and the dawn
We love the dark but more the spark that makes the darkness gone
We count off days in lovely ways but more oft than not, in gloom
And look for love to come our way but hardly make it room.

Our lives are busy, busy things, we breathe too fast to know
That death is always on our heels and needing fear to grow
We miss the sunsets in the west, sunrises in the east
And nibble tidbits here and there and miss out on the feast.

We do not learn, we only burn our enery in toil
And only grasp what has slipped past as we leave this mortal coil
We wonder why we cannot hear the song of birds so sweet
But the sound of birds and the poet's words are drowned out by our feet.

The music, the melody, the rhythm of dance, the symphony's refrain
The flute, the lute, the violin, the sound of pouring rain
The laughing child running free and wild, the heartbreak of a kiss
When we are old it's then we know that life is made of this.

Then aged heads will bow in sorrow, with weathered faces, sigh
And replay life that slipped away and dreams that cannot die
For life is not to be hurried through but savored as we live
And not a thing to be taken lightly but something that we give.


by Voo

Jan 31, 2005 2 a.m.


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jarkko
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Post by jarkko »

http://www.canada.com/montrealgazette/n ... cc&k=48580
The photo is linked from The Gazette website.

Unorthodox funeral honours poet
Leonard Cohen pays tribute to Irving Layton

Image
Poet and songwriter Leonard Cohen (left) arrives with
Moses Znaimer for the funeral service of poet Irving Layton
yesterday. Photograph by : PHIL CARPENTER, THE GAZETTE



Poet and songwriter Leonard Cohen (left) arrives with Moses Znaimer for the funeral service of poet Irving Layton yesterday.
Photograph by : PHIL CARPENTER, THE GAZETTE
MIKE BOONE, The Gazette
Published: Monday, January 09, 2006
The celeb whom stargazers were waiting to see didn't show up until the last minute.

By the time Leonard Cohen slipped into one of the back rows of the chapel at Paperman's yesterday, most of the 250 people who had come to remember Irving Layton were seated at the front. Wearing a stylish grey tweed cap, fur-collared topcoat and California tan, Cohen tapped his foot to Beethoven's Ode to Joy and chatted quietly with Moses Znaimer.

The poet/singer-songwriter/zen master and the U.S.S.R.-born, Montreal-raised TV visionary were then dragooned into impromptu duty by a federal cabinet minister. Irwin Cotler took Cohen and Znaimer to meet Layton's family, and the duo was drafted, Znaimer as master of ceremonies and Cohen as one of eight eulogists - an octet that included seven poets and no rabbis.

Leadoff speaker Samantha Bernstein, youngest of his four children, recited Layton, Irving. In the poem, she writes about looking up her father in the World Book encyclopedia and finding "a few paragraphs, below laxatives and above Lazarus."

Cohen followed and observed: "Irving would be very annoyed if there were this many people here and none of his poems was read."

Declining to relate anecdotes that "don't bear repeating," Cohen insisted "what bears repeating endlessly are these poems that live and will continue to live."

Cohen then read - in that great, smoke-cured voice - Layton's The Graveyard, which ends with: "the voice whispering in the tombstones: rejoice, rejoice."

You don't often hear non-liturgical poetry read at a Jewish funeral. Because the Layton proceedings were unorthodox (in both senses of the word), I was hoping for an elegiac limerick, with double entendres and sly allusions to the poet's energetic pursuit and exuberant celebrations of what he called "the delirium and ecstasy of love."

But it's difficult to rhyme anything with Tirgu Neamt, the Romanian town where Layton was born. Maybe "who dreamt" - but it's a stretch. Sadly, Layton's self-imposed 1970s exile was spent in Toronto, not Nantucket.

In his eulogy, David Solway said Layton could "bluster with the best of them" and wrote "more world-class poems than his predecessors, contemporaries and successors combined." Cotler, who would end the service by reciting kaddish, the mourner's prayer, described Layton's work as "an abiding jeremiad against injustice."

By most accounts, the man being mourned would have loved everything about his memorial. Znaimer described Layton as "willing to play the role of a poet and fuse his personality with his work."

"Irving Layton was a great showman," Znaimer added, after the service. Canadian literati were not enamoured of showmanship, but Layton wore the scorn of the establishment like a badge of honour.

Layton understood - as does Cohen, his most notable protege - the role of the public poet. And like Cohen and other performers, Layton played to the upper balcony.

Montreal poet and CEGEP professor Endre Farkas remembered Layton visiting John Abbott College to speak to students.

"Just before class began, Layton ruffled his hair and rolled up his sleeves," Farkas recalled. "He knew how to play to an audience."

Znaimer compared the poet to a rock star. During the 1950s, when the CBC was Canada's only television network - "getting a 100 share," Znaimer quipped - Layton would appear on programs like Fighting Words - for which he was never at a loss.

Layton became the talk-show booker's go-to guy. The Montreal poet fixed his leonine gaze on the lens of a black-and-white camera and reliably delivered the kind of literate and witty bon mots we don't often hear on late-night TV.

Layton wasn't Letterman.

He was, however, a man of letters - back in the day when words mattered.

mboone@thegazette.canwest.com

© The Gazette (Montreal) 2006
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Geoffrey
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Post by Geoffrey »

Tchocolatl wrote:
>Geoffrey, many people consider that Layton is - principally - the inspiration for the character F.

How many, approximately?

>I think that this guy would have enjoyed tremendously to have such an irrelevant anti-bourgeois, anti politically correct article (the one some people here are knocking their head on the computer about, you know) at his death.

Yes, and this is where we can do a good and kind thing; we can have a competition to see who can write the best Leonard Cohen obituary. After the closing date we send them all to him and see which one he enjoyed the most - and that will be the one we post on Jarkko's front page when he does eventually croak.
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