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Two poems by Wallace Stevens. The first about the necessary angel, the second about the ending of winter.



Angel Surrounded by Paysans

One of the countrymen:
There is
A welcome at the door to which no one comes?

The angel:
I am the angel of reality,
Seen for the moment standing in the door.

I have neither ashen wing nor wear of ore
And live without a tepid aureole,

Or stars that follow me, not to attend,
But, of my being and its knowing, part.

I am one of you and being one of you
Is being and knowing what I am and know.

Yet I am the necessary angel of earth,
Since, in my sight, you see the earth again,

Cleared of its stiff and stubborn, man-locked set,
And, in my hearing, you hear its tragic drone

Rise liquidly in liquid lingerings
Like watery words awash; like meanings said

By repetitions of half meanings. Am I not,
Myself, only half of a figure of a sort,

A figure half seen, or seen for a moment, a man
Of the mind, an apparition apparelled in

Apparels of such lightest look that a turn
Of my shoulder and quickly, too quickly, I am gone?



--------------------

Not Ideas About the Thing But the Thing Itself

At the earliest ending of winter,
In March, a scrawny cry from outside
Seemed like a sound in his mind.

He knew that he heard it,
A bird's cry, at daylight or before,
In the early March wind.

The sun was rising at six,
No longer a battered panache above snow...
It would have been outside.

It was not from the vast ventriloquism
Of sleep's faded papier-mache...
The sun was coming from the outside.

That scrawny cry--It was
A chorister whose c preceded the choir.
It was part of the colossal sun,

Surrounded by its choral rings,
Still far away. It was like
A new knowledge of reality.

Diane wrote:Not Ideas About the Thing But the Thing Itself

At the earliest ending of winter,
In March, a scrawny cry from outside
Seemed like a sound in his mind.

He knew that he heard it,
A bird's cry, at daylight or before,
In the early March wind.

The sun was rising at six,
No longer a battered panache above snow...
It would have been outside.

It was not from the vast ventriloquism
Of sleep's faded papier-mache...
The sun was coming from the outside.

That scrawny cry--It was
A chorister whose c preceded the choir.
It was part of the colossal sun,

Surrounded by its choral rings,
Still far away. It was like
A new knowledge of reality.

Hi Diane
I cant resist posting the P kavanagh poem March below
I wonder did he and Wallace hear the same news !!

March

The trees were in suspense
Listening with an intense
Anxiety for the Word
That in the Begining stirred
The dark-branched Tree
Of Humanity.

Subjectively the dogs
Hunted the muted bogs,
The horses surpressed their neighing,
No donkey-kind was braying,
The hare and rabbit under-
Stood the cause of wonder.

The blackbird of the yew
Alone broke the two
Minutes' silence
With a new poem's violence.
A tomboy scare that drove
Faint thoughts of active love.

L, you are a genius! I read Mr K's poem more carefully a few times, and you are right (although I don't understand his last two lines). It's all about the holy longing.

The blackbird of the yew
Alone broke the two

What great words, taken on their own referring to going beyond "the two" i.e. beyond duality. Curiously enough, Wallace Stevens' Blackbirds poem is my fave of his. In this thread. http://leonardcohenforum.com/viewtopic. ... 04&p=79570

Hi Diane...beautiful poems!
I am here again with my new name ...
Saludos,
Sandra

Sandra:-) Hola! You've gone and changed your name, and you look good in the rain.

This is my favorite Wallace Stevens poem:


Thirteen Ways of Looking at a Blackbird
Wallace Stevens

I
Among twenty snowy mountains,
The only moving thing
Was the eye of the blackbird.

II
I was of three minds,
Like a tree
In which there are three blackbirds.

III
The blackbird whirled in the autumn winds.
It was a small part of the pantomime.

IV
A man and a woman
Are one.
A man and a woman and a blackbird
Are one.

V
I do not know which to prefer,
The beauty of inflections
Or the beauty of innuendoes,
The blackbird whistling
Or just after.

VI
Icicles filled the long window
With barbaric glass.
The shadow of the blackbird
Crossed it, to and fro.
The mood
Traced in the shadow
An indecipherable cause.

VII
O thin men of Haddam,
Why do you imagine golden birds?
Do you not see how the blackbird
Walks around the feet
Of the women about you?

VIII
I know noble accents
And lucid, inescapable rhythms;
But I know, too,
That the blackbird is involved
In what I know.

IX
When the blackbird flew out of sight,
It marked the edge
Of one of many circles.

X
At the sight of blackbirds
Flying in a green light,
Even the bawds of euphony
Would cry out sharply.

XI
He rode over Connecticut
In a glass coach.
Once, a fear pierced him,
In that he mistook
The shadow of his equipage
For blackbirds.

XII
The river is moving.
The blackbird must be flying.

XIII
It was evening all afternoon.
It was snowing
And it was going to snow.
The blackbird sat
In the cedar-limbs.