i don't realy know if i like to eat my own shit. i never tried. but you are probably right: it's most likely that i wouldn't enjoy it.
Kush, you probably didn't read the whole thread (who of a sane mind would), so you couldn't know that i was reacting to bee, and therefore no bad feelings here.
funny fact is that i actualy like the first Rambo movie, but don't tell anybody.
now, the fun part:
Jurica was talking dawn on QT, implying that he is the only one who has "discovered" where QT influences come from, the Hong-kong, kon-fu etc. dissing american critics like they didn't know about it at all
nobody needed 'discovering' QT's influences. he always talks about them. i never claimed i was the one to discover them. i never even implied that. i like Coen brothers a lot - and they are the same 'postmodern/influenced' sort of creators.
about dissing american critics, i can only quote myself for the second time:
i'm no expert, and i don't claim to be wiser than all those professional reviewers who adore Tarantino
Then he starts dissing me- offering me to recognize the difference between child's drawings and that of Picasso.
now, as you are a painter, i'm supprised that this offended you. there's another painter friend of mine, Ivana Armanini, who works with children a lot on comic workshops, and she always tells me how kids have some abilities (abstracting the world around them) that school system takes away from them. i always disagree with her on this, since i think that it's due to their poorer comprehension of the world, rather than supreme.
but she is not alone in that. the whole dadaist moovement praised children's concepts.
i disagree with that attitude, and that's what i was talking about.
Then he offers statements about art right out of his conspects from the classes he took at the artschool, which made my stomac turn, then he lectures me about not reading his posts, when he himself is not even able to follow what was the subject on.
???
what clases?
what artschool?
I can only imagine what his animated film was about- americans with torsos like pigs and the heads of horses making chru- chru sounds, that perhaps is his film at the best.
why do you think i'm so obsesed with americans? no americans in my film. nor in my stories, songs, comics... anything. i live in Europe. close to Italy, Bosnia, Hungary, Slovenia, Austria... those are people i mostly meet, and therefore they interest me the most - so i write/film/draw about them.