



I got a mini-poster too!

Yes!! I meant to comment on that too. I'm so used to watching YouTube videos with all the audience sounds...for better or worse.sturgess66 wrote:It was sort of an eerie feeling at first - the sound but with the audience sound cut out - because you could "feel" them "out there."
Sept 13
Leonard Cohen's 'Songs from the Road'
In Section: ON SCREEN
Posted By: Justin Richards
-
The dining room of City Winery in SoHo glowed with points of candlelight blurred through all the glass at each table. Looking down from the second tier of seating afforded a view of much scalp and various heads of grey. As the guests savored their hanger steak or fois gras, they directed their attention to the film beginning on the projector—the debut screening of Songs from the Road, which highlights Leonard Cohen's 2008-09 tour.
In the film, Cohen performs some of his most classic songs at concert halls around the world. He sings "Lover Lover Lover" to Tel Aviv, "Bird On A Wire" to Glasgow, and "Chelsea Hotel No. 2" to London. His onstage demeanor is stately as he accepts bouquets from a crowd in Germany. Only occasionally on this film does he betray the tiredness of a man who, according to reports, embarked on this tour primarily because he needed to recoup a retirement fund that had dwindled.
The stage lighting and cinematography work to downplay the physical aspect of the 76-year-old singer—he's often wrapped in shadows, lit with cool greens and blues—but City Winer's big projection screen and the video's high production values give us a good look at today's Cohen. He wears a dark suit and a fedora hat. A pair of long, deep parentheses connect the wings of his nose to the bottom of his jaw. He sings with his eyes closed, with pride and authority, his slightly puckered mouth expressing keen concentration.
A voice that was based on the motif of a groan to begin with, meanwhile, doesn't worsen much with age. Now he just sounds as though he's been woken up especially early in the morning to sing. One thing I missed watching this film was the way the young Cohen's voice would sort of veer away discordantly at the top of a plaintive crescendo. For all the force it retains, the voice of this Cohen is a bit more grounded.
All of the first several songs on the recording are performed with full accompaniment. The adult contemporary sounds of backup ladies, woodwinds, an electric organ and a blues guitar might be unpalatable for a younger audience, so it's relieving to see him perform "Avalanche" halfway through the film. Here he stands alone in a spotlight, shadowed and blue, singing over nothing but that tangle of finger-picking that characterizes his early albums. He stares straight ahead, as though enraged. It's in this same mode that he sings some of the subsequent songs, including "Suzanne." Here is one of those rare instances when he seems tired, though, and he swallows some of the kicker lines in that classic Cohen tune.
You don't need to be a longtime Cohen fan, letting the traces of his old fire be echoed by your memory, to enjoy this movie. It's all still there. The film serves to remind us that we're looking at a very rare thing: an artist who, though he has aged much, hasn't faltered, hasn't ruined his body, his voice or his nerves, and hasn't misplaced his muse anywhere along his discography. For his peers, who are arguably Bob Dylan, Townes Van Zandt and maybe Lou Reed, I don't know that you can say the same. Watch him perform "Famous Blue Raincoat" for London's Arena O2 in 2008, and it's as chilling as it was when a much younger man introduced it to younger crowd about 40 years before
Um... there was a post on this thread about the Curzon screening on August 28.John Etherington wrote:At the eleventh hour, I found there was a screening of "Songs From the Road" at The Curzon Cinema 2 in Shaftesbury Avenue, Central London, this evening. Fortunately, I was able to cancel a pre-arranged meeting with some old friends so that I could be there.
I too went to the showing last night in London. I thought the turn out was decent considering the fact that it was very poorly advertised - from the outside of the cinema no indication as far as I could see that it was even on. It was great to see it on the big screen. Almost like a mini-concert. The instict to clap after each song was very strong - but no-one else did, so I didn't either. What surprised me was the constant distracting comings and goings of the people who came to watch it - can't people sit still in one place for even a hour???!!!John Etherington wrote:At the eleventh hour, I found there was a screening of "Songs From the Road" at The Curzon Cinema 2 in Shaftesbury Avenue, Central London, this evening. Fortunately, I was able to cancel a pre-arranged meeting with some old friends so that I could be there. Tickets were £12.50, and there were no extras (no trailers even) - just the movie. The cinema which held 120 people was only about half full. Hence, I've managed to attend what I believe are the first nights of all three Leonard movies in London (the other two being "Bird on a Wire" in 1974 and "Ladies and Gentleman - Mr Leonard Cohen" in 1970). I thoroughly enjoyed the movie, as did my friend Lady Scorpio who came with me, and who had never seen Leonard live. She thought the poster was very mystical..."like an unanswered question". I was particularly pleased that "Lover, Lover Lover", "That Don't Make it Junk" and "Avalanche" were included, as I didn't hear any of these at the six shows I've attended since Leonard's comeback. Greetings to Diana who identified me, at the end! She told me that she hasn't posted here yet, but met me at Weybridge last year. I now look forward to purchasing the DVD, and seeing the backstage section.
All good things, John E
Ha ha, I was sitting at the end of the row where the guy with the annoying mobile was seated! I was momentarily startled when you came to the foot of the row and told him to turn it off - but glad you did so. At the end I asked him and his two colleagues if they had perhaps strayed into the wrong screen by mistake! They arrived quite late and certainly didn't seem at all interested in the film.John Etherington wrote:Hi Relate,
Although it was great to see this, it was odd that the cinema listed it as a special event. Indeed there was no sign outside, no poster, no introduction, no DVDs on sale, and certainly no free glass of wine or champagne! I actually discovered it was showing in a tiny ad in the Islington Gazette. I overlooked the London listings here amongst all the American ones. It's curious how things have changed considering that "Various Postions" wasn't originally released in the U.S.
I was in fact the only person clapping after every song but maybe I didn't clap hard enough (I didn't want Leonard to reprimand me from the screen). I was sitting at the front of the raised section on the left centre aisle. I don't told whether you noticed, but it was me who got up and told the guy a few rows in front of me to switch off his mobile. I hate those horrible little screens glaring in my face when I'm trying to watch a concert!
All the best, John E
I totally agree - Avalanche was amazing! I was also very moved by Hallelujah at Coachella.TheWrongMan wrote:All of the songs were fantastic but the highlight for me had to be Avalanche, for the intensity of Leonard's performance and the focus on his guitar picking.
An enjoyable evening.
MaryB wrote: ... the rest of the audience was 'mature'.