Re: The word and the voice of God
Posted: Tue Apr 15, 2008 1:28 am
That may be a very astute comment in generalMyra wrote:Ahhhh.
I bet that feels better now doesn't it Greg.
It's certainly cynical. And a very stygian take on human nature.
But you do me a real wrong to think it of me.
And my answer is 'no'. A definite 'no'.
No - I do not do schadenfreude.
I was way ahead of you about that.Myra wrote:What if Casey was somebody real
But you will have wait until later before I tell you
how I mean it in this particular case.
For now, I just want to mention that if you check out
the "Other Poetry" section, from about a year ago,
then you'll see that I posted this:
The first movie version of The Diary of Anne Franke, the one with Millie Perkins,I still believe
It's a wonder I haven't abandoned all my ideals, they seem so absurd
and impractical. Yet I cling to them because I still believe, in spite of everything,
that people are truly good at heart.
It's utterly impossible for me to build my life on a foundation of chaos, suffering
and death. I see the world being slowly transformed into a wilderness, I hear
the approaching thunder that, one day, will destroy us too, I feel the suffering
of millions. And yet, when I look up at the sky, I somehow feel that everything
will change for the better, that this cruelty too shall end, that peace and tranquility
will return once more.
- Anne Frank, July 15, 1944
- 1959, - had very strong effect on me as a kid. An effect that continues.
I was very young when I first saw it. Probably way too young to see movies
like that. (On The Beach and Green Mansions were two others I saw that
same year. I had a lot of nightmares that year.)
Two things from that movie affected me the most.
One was the overlaid images of marching soldiers
-
(I think that means superimposed lattices (in the technical sense.))ech·e·lon, n.
2. a formation of troops, ships, airplanes, etc., in which groups of soldiers
or individual vehicles or craft are arranged in parallel lines, each to the right
or left of the one in front, so that the whole presents the appearance of steps.
It's a cliched movie sequence, of course, but I had never seen anything like it.
Human beings reduced to a machine. It was terrifying. And I am not sure
I have ever seen anything more so. But I found a way to cope with it,
right away.
As those images played in my mind, and wouldn't let me get to sleep,
I tried to figure out if a straight line could shoot through a lattice like that,
at an angle, and not hit any one of the points (soldiers).
And that was the beginning of my interest in math, - which would always
be a refuge for me from the world when it got to be too much.
(The answer, btw, -which may seem counter-intuitive,
is that "almost all" lines do miss all the points. It's simply
the difference between rational and irrational numbers.
(It's counter-intuitive because if the "points" aren't true
points, but rather have any thickness at all, then every line
hits an infinity of "points".)
The other thing, of course, was -
Probably because I had a crush on Millie Perkins,I still believe, in spite of everything, that people are truly good at heart.
I knew that that had to be true. But it would take me years
to figure out in what way it's true.
Because it is counter-intuitive.
The clue was "The Godfather".
Because even the mafia has great "family values".
I don't think I ever met a total sociopath. And, although
I have known some very bad people, every one of them
was good to somebody.
Everybody is motivated by some kind of humanity.
It's just not always, - or ever, - total.
(Especially those who claim pan-humanity-philia
(--somebody help me out here - a word for "love of all mankind" ?)
In fact they're the very type who often don't like anybody in particular. )
One common humanity comonality that occurred to me a long time ago
is that two of the greatest drives in human beings
are the need to teach, and the need to be useful.
--- To pass on wisdom to the next generation.
--- To teach the children well.
Corollary: Everybody needs to know something that not everybody else knows.
(Because you can't be a very useful teacher
if everybody already knows everything you do. )
And one thing that many people feel a need to teach
is what it feels like to be them. Particularly when they
feel they've been wronged.
Corollary: Random violence is never really random.
(It's a mystery to many people why some people who seek revenge
don't always limit their retaliation to the specific people who caused them
the harm. However, what they are really doing is teaching the world
what it feels like to be them. Because what it feels like to be them
is to be picked out and picked on for no good reason. They didn't do
anything wrong. They were picked at random. Perhaps because
they looked funny. But not because they harmed anybody.
So, to teach the world what that feels like, they can't limit
their retaliation to the specific people who tormented them.
The only way to teach what it feels like to be randomly
picked out and tormented - is to pick their victims at random.)
Etc.
And so on.
Or that kind of reasoning, anyway,
seems to me to explain a lot of things.
And in particular it seemed to me to explain and to confirm
Anne Franke's insight.
I'll say later how it applies here.
For now I'm just going to say that I always take it as axiomatic
that everybody, such as Casey and John, is fine people
After all everybody here does appreciate Leonard Cohen.
Which is the sine qua non for a person to be fine.
It takes an awful lot to trip my trip-wires.
But the very first thing it takes is for me to decided,
by some reasoning which is a mystery to my conscous mind,
that the person can take it -- my apparent criticisms.
Although I do not crticise people. And I am not sarcastic,
But I know that some people think I do. And am.
But they're wrong. What they see as sarcasm in me
is simply my Joie De Vivre-section.
{Insert a neat Nietzsche quote here. Any Nietzsche quote.}
If I say for example that Casey and John are posturing,
I don't mean that they are posturing. Because I have
no idea who they are. You (Myra) for example decided
Casey was one way, and then later decided he could be
another way instead - and that way lies madness! Because you'll
never know what anybody is really like. And if that matters to
you then you can never respond to anything, even things
that demand to be responded to.
All you know is what's been written. When I say that Casey and John
are posturing, it's just a short-hand way of saying that their writing
is posturing. And the only way they could take offence at that
is if they are too much attached to their writing - if they are
"True believers". Manna, for example could never take offence
if I said that that Casey's and John's writing is posturing.
Because Manna isn't attached to it. And neither should they be.
And if they intend it it as a contribution, and not as preaching,
then they wouldn't be.
Also, while I haven't looked very carefully, I haven't noticed
that either of them have said anything at all personal.
They may think they have, but if you compare their writing
to that of Jack Lazariuk, who sometimes writes here,
or to the blindered pbshel67, you'll see the difference.