Leonard vs. Bob
Well, that song was the first Dylan song I really liked
On the first Dylan album I liked, but I think, Kush, that you know I am somehow very fond of Dylan's gospel trilogy
That was - til recently - his only records I could enjoy, but I was comforted with knowledge that Leonard also think these are his best works.
"Until recently" - one of my Dylan-fan friends (not Jurica) gave me as sudden birthday present Time Out Of Mind. I was having the impression from the very first track: well, this is one of the greatest albums of all time. Or maybe my prejudices deflected after the reading of Boucher's book this summer.


"Until recently" - one of my Dylan-fan friends (not Jurica) gave me as sudden birthday present Time Out Of Mind. I was having the impression from the very first track: well, this is one of the greatest albums of all time. Or maybe my prejudices deflected after the reading of Boucher's book this summer.
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Tom....I have no doubt at all that Leonard Cohen is a zillion times better than Dylan. Its just that my level of music appreciation hasnt reached those dizzy heights. I envy those with such sophisticated music taste and aspire to them someday. 
Have you heard the Gotta Serve Somebody CD - covers by various gospel singers? IMHO the covers are better than the Dylan originals, more within the Black gospel style and tradition.

Have you heard the Gotta Serve Somebody CD - covers by various gospel singers? IMHO the covers are better than the Dylan originals, more within the Black gospel style and tradition.
Yes, I heard it a year ago, well, it was good, but I must admit that his appearance on the last track was cake on the end. So that means he is good 

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- tom.d.stiller
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Tom (Stiller)
It doesnt matter what you or I believe....all that matters is that singer believes in the words that he/she is singing. That's what makes a song great
p.s. Yeah...the last track is a classic as they all are to my ears. Dylan should do a duet album with Mavis Staples. BTW, her new album "Have a Little Faith" is very very good.
It doesnt matter what you or I believe....all that matters is that singer believes in the words that he/she is singing. That's what makes a song great

p.s. Yeah...the last track is a classic as they all are to my ears. Dylan should do a duet album with Mavis Staples. BTW, her new album "Have a Little Faith" is very very good.
- tom.d.stiller
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Kush, allow me to disagree. A song is made great by the mastery of both words and music.Kush wrote:Tom (Stiller)
It doesnt matter what you or I believe....all that matters is that singer believes in the words that he/she is singing. That's what makes a song great
The mere concordance of what the words seem to express and the writer's current "beliefs" never counts.
Dylan's gospels, as I now recognize, were great, not because of a belief, but inspite of this belief. They were great because Dylan made well-known words and gestures unique.
At the time he recorded his "gospels" Dylan was very close to Christian fundementalists of the same breed that now reign the White House. (I don't want to talk politics now...). That's what pushed me away from the songs, but now I see a master of words and music testing just another style, probing into it.
He abandoned this style. But retrospectively I can see a master playing with kids' playthings...
A great song, I think, is great independent of an arbitrary similarity between the song's content and the writer's beliefs.
Mahalia, the unforgettable, lived and loved a Christian God. But her songs are great not because of her belief, but because of her great voice...

Tom
Tom,
I should have phrased it a little differently. Indeed, these days I probably pay more attention to music than to words. I certainly don't mean "all that matters...." in that sense.
But what I was trying to say was that when I hear the words of a song, I momentarily suspend personal belief/bias etc, and try to get into the skin of the singer, to believe as he/she does for that instant, assuming the singer believes the words that he/she is singing. Moreover, for me an album of songs in a particular style is a cultural voyage.
The Gotta Serve Somebody CD created quite a stir and these are from its liner notes. I especially like this album, coz' I think the songs were really meant to be sung in this way and by these singers more than by Dylan in the way he sang them (He just happened to put pen to paper
)
"When Bob Dylan let it be known, in 1979, that he had been born again, it seemed to some that he had renounced the complexity and questioning of his earlier work in favor of what they saw as the pre-packaged answers of religion. As time has gone by, though, it is clear that Dylan encountered the Gospel the same way he has encountered everything else he has looked into - with the full complexity of a whole human heart and mind."
You can find a lot of info. on this site:
http://www.gottaservesomebody.com/home.html
As for the politics, I shall stick to the Banjo Doctrine first put forth by that great statesman, Johnny Cash.
Or, as another of my favorite songwriters, Johnny Clegg, puts it in Zulu
Ngikhathele ngifile wena weqat' izwe
Ngikhathele ngifile zindaba zakho
(I am dead tired of you who cause friction in the land
I am dead tired of you and your matters)
...not directed at you personally, but in general
.
I should have phrased it a little differently. Indeed, these days I probably pay more attention to music than to words. I certainly don't mean "all that matters...." in that sense.
But what I was trying to say was that when I hear the words of a song, I momentarily suspend personal belief/bias etc, and try to get into the skin of the singer, to believe as he/she does for that instant, assuming the singer believes the words that he/she is singing. Moreover, for me an album of songs in a particular style is a cultural voyage.
The Gotta Serve Somebody CD created quite a stir and these are from its liner notes. I especially like this album, coz' I think the songs were really meant to be sung in this way and by these singers more than by Dylan in the way he sang them (He just happened to put pen to paper

"When Bob Dylan let it be known, in 1979, that he had been born again, it seemed to some that he had renounced the complexity and questioning of his earlier work in favor of what they saw as the pre-packaged answers of religion. As time has gone by, though, it is clear that Dylan encountered the Gospel the same way he has encountered everything else he has looked into - with the full complexity of a whole human heart and mind."
You can find a lot of info. on this site:
http://www.gottaservesomebody.com/home.html
As for the politics, I shall stick to the Banjo Doctrine first put forth by that great statesman, Johnny Cash.
Or, as another of my favorite songwriters, Johnny Clegg, puts it in Zulu
Ngikhathele ngifile wena weqat' izwe
Ngikhathele ngifile zindaba zakho
(I am dead tired of you who cause friction in the land
I am dead tired of you and your matters)
...not directed at you personally, but in general

I must add to this discussion that I really do love great Dylan gospel abums, but this summer, when I was reading about his stands around those songs in Boucher's Dylan and Cohen: the Poets of Rock, I was really upset. So I felt the need (and I still do) to separate the voice which sings that (tom~
) and the real author.
(Webster: "stand: 3b. b: a strongly or aggressively held position especially on a debatable issue")

(Webster: "stand: 3b. b: a strongly or aggressively held position especially on a debatable issue")
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- Anne-Marie
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I have a large stomach when it comes to Leonard. As for Bob Dylan, I don't much care for his work, however I did enjoy "like a woman". I have heard them compared many times. The first was reading "Leonard Cohen: The Artist and His Critics" in which I found a lengthy essay analyzing Bob and Leonard which I found slightly confusing. I don't find them much comparable, except for the fact they are both male solo artists whose genres cross each other in a couple songs.
You can compare any two artists, and the conclusion of likeness you draw between them is a personal take.
You can compare any two artists, and the conclusion of likeness you draw between them is a personal take.
David Boucher's recent book Dylan & Cohen: Poets of Rock only confirmed that. The book is really mess in terms of comparing them, and on the end only we get is "they are both male solo artists whose genres cross each other in a couple songs". That's the right descriptionAnne-Marie wrote:I don't find them much comparable, except for the fact they are both male solo artists whose genres cross each other in a couple songs.
You can compare any two artists, and the conclusion of likeness you draw between them is a personal take.


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