

There are some really good songs on Dear Heather, though most of the tracks aren't really songs, more like spoken-words recordings.
On "No more a-roving", "there for you" and "on that day" Leonard sings alone, on "nightingale", "the faith", "dear Heather" and "the letters" he is accompanied by women, and on "undertow" leonards only whispers in the back, that's a shame because "Undertow" has a wonderfull tune and it would be a lot better if leonard sang it.
The rest is Leonard reciting poems, not songs in the actual sense, though on "Because of" and "Villanelle" Leonard eventually starts singing.
All this talking on a music record could turn out as a bad idea, but with Leonard it works out to perfection. "Dear Heather" is still a really good record despite the lack of singing. There is still a lot of Leonards voice here, and it's deeper and more beatiful than ever I have to say.
The fact that there are only a few real songs with rhymes, chorus etc written by Leonard himself (The letters, undertow, on that day, the faith, nightingale) got me thinking if "Dear Heather" (and may I burn for this) were made in a hurry? Maybe beacause of him turning 70?
But again, Who cares, Dear Heather is wonderfull.
Kleinschmidt