Leonard Cohen Alludes To Say Goodbye To Dutch Public
Published: September 19, 2013 09:58
Last update: September 19, 2013 10:26
The Canadian troubadour Leonard Cohen, aged 78, was here Wednesday possible to admire. Most recently in Netherlands. That thought this evening in Ahoy was reinforced by the singer himself.
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"I do not know when we'll see each other again, no one knows," he says, just as on stage. "But I promise that we will give everything we have tonight."
Lots of time to philosophize about the future of the singer, who in recent years frequently in the Netherlands to admire was, he did not give the crowd with a dance Cohen comes on stage.
Immediately afterwards he makes Ahoy court with a cheery welcome speech. He is indeed had not come more often to Rotterdam, because he did not want to intrude, he says. Cohen hopes that people not from the domestic game have taken to get here. Too much money.
He is grateful that so many people the steep stairs of the second ring, dared to climb up to see him. "Beware if you sit there, do not lean too far forward, because if you fall down," he says even. "Call us feel like you are sitting in places and you feel shortage done. Then we turn to you."
Crisp
The welcome speech was a perfect start to what is a perfect appearance. Cohen opens with Dance Me To The End Of Love. His voice appears immediately so impressive and so crystal clear that there is less reason to get straight back to go home. Nicer than this anyway. The
But as a boxer Cohen shares immediately after punch, striking vital moving on the big stage. He plays games with the photographers, calls his friends and fans as his band members solo, he takes his hat off to them in adoration. Get his six-member band from Cohen detail the space, like the three singers.
Classifieds
The Canadian does not only clear, but he remains involved. He never disappears from the stage, he always looks full of love. The number of times that his band members and vocalists name suggests, is not to count on one hand. The magisterial early this evening in the first part gets a sequel with more classics.
Bird On The Wire Everybody Knows and belong to the best pop music of the last fifty years has produced. Cohen sings these evergreens in Ahoy as if they first sing. Sometimes with eyes closed, then just with eyes wide open and gesturing. So focused, passionate, inspired.
Eruptions
The audience in the full Ahoy can only silent watch and the singer then reward you with one open book after another. Cohen does not let himself be distracted by it. He touches despite the eruptions of applause just increasing in trance, only awakened by the toilet break in between.
That even the eternally fit Cohen's age can not beat but occasionally noting, for example in the hushed version of Hey, That's No Way To Say Goodbye.'s Suddenly very fragile look of Cohen, who plays guitar and suddenly it an old man looks, goes through the bone.
Weeping
Even more than in the monumental Hallelujah, which Cohen suddenly seems to want to hide. Behind the full sound of his band He was allowed to sing that song, maybe even without a microphone. Completely unaccompanied Only his voice was already been enough Ahoy tonight to deliver. Tears of happiness
Those tears flow out of this number, the expectations were perhaps too high, but in other classics such as Suzanne and So Long, Marianne.
In the encore everyone looks completely fainting matter how Cohen Ahoy sets ablaze. For the last time probably. Hopefully he beats the age again as he does that tonight.
By: NU.nl / Anton Slotboom