CONCERT REPORTS: Austin, April 1 and 2
CONCERT REPORTS: Austin, April 1 and 2
Review: Leonard Cohen, night 1 at the Long Center
By Brad Buchholz | Thursday, April 2, 2009, 02:12 AM
Leonard Cohen at the Long Center
Leonard Cohen treated us to a night of blue elegance Wednesday night at the Long Center (he plays a second show Thursday night). More than any song, any moment, I’ll savor the evening for its spirit, for its languid, stylish, melancholy tone. That, and the sheer majesty of the Cohen musical canon, laid out over the course of a three-hour concert that featured four encores.
Cohen’s concert wasn’t so much a presentation of songs as a riveting poetry reading with a klezmer-caberet vibe, a little bluesy, a little jazzy and, above all, literate. For decades, his touring bands have taken pride in being “the quietest band in America.” We hear the words. Cohen’s drummer, Austin’s Rafael Gayol, likes to say it can get so quiet you can almost hear dust collide.
Yes.
Cohen, 74, is thinner, grayer, than that “60-year-old kid with a crazy dream” that passed through Austin on the 1988 and 1993 concert tours. But his ocean-deep bass voice - and his will - are strong. There were moments, in the muscular encore tunes “First We Take Manhattan” and “So Long, Marianne” when Cohen sang powerfully over the top of his angelic, swaying troupe of background singers, led by Sharon Robinson. If you shut your eyes: The voice and the energy suggested a singer whose heart was completely in the present, not the past.
There were great moments: “Bird on a Wire” was so delicate, so rich with quiet space and stately grace, timeless as moonlight. “Anthem,” the closer of the first set, was transcendent, orchestral, presented in celestial light. When Cohen sang “Can’t run no more with the lawless crowd/while the killers in high places say their prayers out loud,” it was not with resignation, but with grit and purpose.
Well, let’s see: Charley and Hattie Webb, his two new background singers, coyly removed their jackets - and then spun cartwheels when Cohen sang the line “You’ll see your women hanging upside down” (or was it “the blizzard of the world has overturned your soul”?) during “The Future.” “Hallelujah” drew a standing ovation in the second set.
Cohen’s spoken word rendition of “Recitation with N.L.”, poetry set to quavering synthesized keyboards, was a dramatic highpoint in the second set. There was a huge communal sigh in the house - more striking than any applause - when Cohen ended the first stanza with these words: “my mirrored twin, my next of kin, I’d know you in my sleep/. And who but you would take me in, a thousand kisses deep.”
A last word about the staging, the music, and the role of Cohen’s musical director - bassist Roscoe Beck. After working with Cohen for three decades, Beck has skillfully melded his own sophisticated instincts with Cohen’s lyrical power. Beck likes the blues, and he likes jazz. Both energies were palpable Wednesday. The band’s use of Hammond B-3 organ plays to both the sensual and sacred currents in Cohen’s music.
Beck knows this in his head. We felt it in our hearts. It was a soft, lyrical, lovely night.
Photo Gallery: http://www.austin360.com/music/mediahub ... tId=151218
http://www.austin360.com/blogs/content/ ... t_1_a.html
By Brad Buchholz | Thursday, April 2, 2009, 02:12 AM
Leonard Cohen at the Long Center
Leonard Cohen treated us to a night of blue elegance Wednesday night at the Long Center (he plays a second show Thursday night). More than any song, any moment, I’ll savor the evening for its spirit, for its languid, stylish, melancholy tone. That, and the sheer majesty of the Cohen musical canon, laid out over the course of a three-hour concert that featured four encores.
Cohen’s concert wasn’t so much a presentation of songs as a riveting poetry reading with a klezmer-caberet vibe, a little bluesy, a little jazzy and, above all, literate. For decades, his touring bands have taken pride in being “the quietest band in America.” We hear the words. Cohen’s drummer, Austin’s Rafael Gayol, likes to say it can get so quiet you can almost hear dust collide.
Yes.
Cohen, 74, is thinner, grayer, than that “60-year-old kid with a crazy dream” that passed through Austin on the 1988 and 1993 concert tours. But his ocean-deep bass voice - and his will - are strong. There were moments, in the muscular encore tunes “First We Take Manhattan” and “So Long, Marianne” when Cohen sang powerfully over the top of his angelic, swaying troupe of background singers, led by Sharon Robinson. If you shut your eyes: The voice and the energy suggested a singer whose heart was completely in the present, not the past.
There were great moments: “Bird on a Wire” was so delicate, so rich with quiet space and stately grace, timeless as moonlight. “Anthem,” the closer of the first set, was transcendent, orchestral, presented in celestial light. When Cohen sang “Can’t run no more with the lawless crowd/while the killers in high places say their prayers out loud,” it was not with resignation, but with grit and purpose.
Well, let’s see: Charley and Hattie Webb, his two new background singers, coyly removed their jackets - and then spun cartwheels when Cohen sang the line “You’ll see your women hanging upside down” (or was it “the blizzard of the world has overturned your soul”?) during “The Future.” “Hallelujah” drew a standing ovation in the second set.
Cohen’s spoken word rendition of “Recitation with N.L.”, poetry set to quavering synthesized keyboards, was a dramatic highpoint in the second set. There was a huge communal sigh in the house - more striking than any applause - when Cohen ended the first stanza with these words: “my mirrored twin, my next of kin, I’d know you in my sleep/. And who but you would take me in, a thousand kisses deep.”
A last word about the staging, the music, and the role of Cohen’s musical director - bassist Roscoe Beck. After working with Cohen for three decades, Beck has skillfully melded his own sophisticated instincts with Cohen’s lyrical power. Beck likes the blues, and he likes jazz. Both energies were palpable Wednesday. The band’s use of Hammond B-3 organ plays to both the sensual and sacred currents in Cohen’s music.
Beck knows this in his head. We felt it in our hearts. It was a soft, lyrical, lovely night.
Photo Gallery: http://www.austin360.com/music/mediahub ... tId=151218
http://www.austin360.com/blogs/content/ ... t_1_a.html
- joyezekiel
- Posts: 410
- Joined: Sat Jan 10, 2009 10:11 pm
- Location: Magnolia, Texas USA (ex UK)
Re: CONCERT REPORTS: Austin, April 1 & 2
What a wonderful review! Thank you so much...... we're going tonight and I can't wait
1976 Leicester 2008 London O2/Cardiff 2009 NYC/Austin/Weybridge/Nashville 2010 Ghent x 2/Las Vegas x 2 2012 Ghent x 2/Austin/Montreal/Quebec City/Boston x 2 2013 Memphis/New Orleans/Winnipeg/Birmingham/London O2/Amsterdam/Auckland
Re: CONCERT REPORTS: Austin, April 1 & 2
Thank you so much for this lovely, well written review. I'm getting ready to drive to Austin for tonight's concert, and you've given me even more reason (if that's possible) to feel excited.
Re: CONCERT REPORTS: Austin, April 1 & 2
Beautiful review, Fontana. It captures so many of the concert's essential elements. Well done . Takes me back to both Montreal and New York.
~ Lizzy
~ Lizzy
"Be yourself. Everyone else is already taken."
~ Oscar Wilde
~ Oscar Wilde
Re: CONCERT REPORTS: Austin, April 1 & 2
Hi,
Could someone please post the setlists for both concerts in the thread above?
Thanks!
Maarten
Could someone please post the setlists for both concerts in the thread above?
Thanks!
Maarten
2008 Manchester | Bruges | Amsterdam | London | 2x Brussels | Rotterdam |2x London
2009 New York | Cologne | Antwerp | Venice | Colmar | Barcelona | Las Vegas | San José
2010 Salzburg | 2x Sligo | Helsinki | 3x Ghent | Lille | 2x Las Vegas
2012 5x Ghent | 2x A'dam | Helsinki | Dublin | Verona | 3x Paris | Lisboa
2013 Paris | Antwerp | Oberhausen | Brussels | Pula | Rotterdam | Amsterdam | 2x Wellington | Auckland
- findingtime
- Posts: 30
- Joined: Tue Feb 03, 2009 9:39 am
Re: CONCERT REPORTS: Austin, April 1 & 2
Maarten -- I'm working on it. I was going to send you a private email.
The set list was ALMOST identical to the Beacon show.
Sisters of Mercy was omitted but it was still a longer set than the Beacon. Two new songs were added in the encores. I believe both are unreleased. Both were unknown to my girlfriend, the LC maven.
One was mentioned in a Rolling Stone interview which has been posted in the forum -- the main refrain is "my lullaby."
I have been unable to find anything about the second song online. The opening line was "I can't break the code of our frozen love."
I'm sure somebody in the forum knows the two mystery songs.
I'm at work, I'm busy, so I haven't had time to do any additional research since last night and I haven't composed a concert review. Also, I left the notes I made on the Beacon setlist at home. For now, let me just say it was a fabulous start to the North American tour.
The set list was ALMOST identical to the Beacon show.
Sisters of Mercy was omitted but it was still a longer set than the Beacon. Two new songs were added in the encores. I believe both are unreleased. Both were unknown to my girlfriend, the LC maven.
One was mentioned in a Rolling Stone interview which has been posted in the forum -- the main refrain is "my lullaby."
I have been unable to find anything about the second song online. The opening line was "I can't break the code of our frozen love."
I'm sure somebody in the forum knows the two mystery songs.
I'm at work, I'm busy, so I haven't had time to do any additional research since last night and I haven't composed a concert review. Also, I left the notes I made on the Beacon setlist at home. For now, let me just say it was a fabulous start to the North American tour.
Re: CONCERT REPORTS: Austin, April 1 & 2
Findingtime,
Thanks for the info! Nice to see some new stuff finally, although I wouldn't complain if he sang the "usual suspects"... Just post the setlist(s) if you find some time, no need to rush!
Maarten
Thanks for the info! Nice to see some new stuff finally, although I wouldn't complain if he sang the "usual suspects"... Just post the setlist(s) if you find some time, no need to rush!
Maarten
2008 Manchester | Bruges | Amsterdam | London | 2x Brussels | Rotterdam |2x London
2009 New York | Cologne | Antwerp | Venice | Colmar | Barcelona | Las Vegas | San José
2010 Salzburg | 2x Sligo | Helsinki | 3x Ghent | Lille | 2x Las Vegas
2012 5x Ghent | 2x A'dam | Helsinki | Dublin | Verona | 3x Paris | Lisboa
2013 Paris | Antwerp | Oberhausen | Brussels | Pula | Rotterdam | Amsterdam | 2x Wellington | Auckland
Re: CONCERT REPORTS: Austin, April 1 & 2
Wow, new material! Can a new album be far behind?
Would love to hear more information if someone has it. I'm sure it came as such a surprise folks were caught off guard.
Would love to hear more information if someone has it. I'm sure it came as such a surprise folks were caught off guard.
Marie
Speaking Cohen
Speaking Cohen
Re: CONCERT REPORTS: Austin, April 1 & 2
Our wish is their command. I got this set list for Austin, April 1, from Joey, road manager. Thanks much. Only one new song, "Lullaby."
First Set
Dance Me to the End of Love
The Future
Ain't No Cure for Love
Bird on the Wire
Everybody Knows
In My Secret Life
Who By Fire
Chelsea Hotel
Hey That’s No Way to Say Goodbye
Anthem
Second Set
Tower of Song
Suzanne
The Gypsy’s Wife
The Partisan
Boogie Street
Hallelujah
I’m Your Man
A Thousand Kisses Deep (recitation)
Take This Waltz
Encores
So Long Marianne
First We Take Manhattan
Famous Blue Raincoat
If It Be Your Will
Democracy
Lullaby
Closing Time
I Tried to Leave You
Whither Thou Goest
First Set
Dance Me to the End of Love
The Future
Ain't No Cure for Love
Bird on the Wire
Everybody Knows
In My Secret Life
Who By Fire
Chelsea Hotel
Hey That’s No Way to Say Goodbye
Anthem
Second Set
Tower of Song
Suzanne
The Gypsy’s Wife
The Partisan
Boogie Street
Hallelujah
I’m Your Man
A Thousand Kisses Deep (recitation)
Take This Waltz
Encores
So Long Marianne
First We Take Manhattan
Famous Blue Raincoat
If It Be Your Will
Democracy
Lullaby
Closing Time
I Tried to Leave You
Whither Thou Goest
Marie
Speaking Cohen
Speaking Cohen
Re: CONCERT REPORTS: Austin, April 1 & 2
A new song ... AND Closing Time. Yes!!
W
W
- findingtime
- Posts: 30
- Joined: Tue Feb 03, 2009 9:39 am
Re: CONCERT REPORTS: Austin, April 1 & 2
Well, I'm glad that's straightened out. I guess the "two new songs" we thought we heard were different parts of the same new song. I was having trouble deciphering my notes last night and I guess that's why.
Re: CONCERT REPORTS: Austin, April 1 & 2
Lullaby...and Closing Time...
I will be a contented woman in Phoenix
Thanks Joey and Marie!
All the best,
Diana
ps..Joey, if you read this, tell Javier to watch out for a couple of women front row in Phoenix...especially one with a monkey
I will be a contented woman in Phoenix
Thanks Joey and Marie!
All the best,
Diana
ps..Joey, if you read this, tell Javier to watch out for a couple of women front row in Phoenix...especially one with a monkey
Re: CONCERT REPORTS: Austin, April 1 & 2
I didn't take notes but the set list from the first day looks about right for the second day. I am pretty sure they were identical.
-
- Posts: 8
- Joined: Mon Feb 23, 2009 10:25 pm
Re: CONCERT REPORTS: Austin, April 1 & 2
Agreed, I think just about literally everything was identical for the 4/1 and 4/2 shows.
Those were two very magical concerts. Everyone I went with was completely blown away by this frail-looking man with such grace and beauty skipping on and off stage, getting down on his knees numerous times during the performance and just making us get lost in the moment with him.
I had a friend who hadn't ever heard LC before but based on a bunch of his Tom Waits friends freaking out about getting to see Cohen he went. I gave him one of my 2nd row tickets and that was his first introduction to LC... 2nd row at the Long Center for opening night. He was blown away. After the show he said he'd be purchasing Leonard's entire catalogue the next day.
I just thought that would have been a killer introduction to one of the great artists of our time.
Those were two very magical concerts. Everyone I went with was completely blown away by this frail-looking man with such grace and beauty skipping on and off stage, getting down on his knees numerous times during the performance and just making us get lost in the moment with him.
I had a friend who hadn't ever heard LC before but based on a bunch of his Tom Waits friends freaking out about getting to see Cohen he went. I gave him one of my 2nd row tickets and that was his first introduction to LC... 2nd row at the Long Center for opening night. He was blown away. After the show he said he'd be purchasing Leonard's entire catalogue the next day.
I just thought that would have been a killer introduction to one of the great artists of our time.
Re: CONCERT REPORTS: Austin, April 1 & 2
Thanks for sharing that serendipitous experience your friend was so fortunate to have, not-so-evilcharles.
~ Lizzy
~ Lizzy
"Be yourself. Everyone else is already taken."
~ Oscar Wilde
~ Oscar Wilde