Hi Madonna ~
Thanks
.
You've made some good points about broadening teacher and friend. I think through Leonard's various writings that we've experienced his capacity to learn lessons and be aware of those lessons from the seemingly most mundane and ordinary events in our lives [though the ride through the pine trees seems anything but
... in this, I got a sense of what a blast Roshi must be to spend time with at times. This conjures an image for me of Roshi driving at that incredible speed... knowing the route so intimately that he has has mastered it, as well, laughing out loud and enjoying the possibly white-knuckled reactions he's getting from Leonard... it seems some insight on the value of life may have appeared front-and-center for Leonard during that ride
~ and the importance of remaining in the jeep may have been a point of view he leapt from
]. Leonard's Jewish faith could definitely also be considered his dear, deep and abiding friend. I think my restricting of what this verse related to had to do with time and place and it seemed to be referencing what was occurring at the monastery.
I really appreciate your selection of that verse from Leonard's song and how you've pointed out all that it includes. For a moment, I considered including Leonard himself as one of his own friends, but decided against it.
Parenthetically, Anjani recently made a comment regarding her being in Ghent ~
the beauty of Ghent is reflected in her people
live well
be well
eat well
(that's really all there is to life, right?)
Parenthetically, again, I get a sense of how easy she must be for Leonard to be with... comparing the two perspectives. Her comment isn't as expanded as yours below, but the essence is the same ~
For me it seems to sum up what makes up life and therefore what is important. This verse makes reference to nature, spirituality, culture, religion, home, friends, good times and just generally being 'in the world'.
I can understand how these same elements came through for you in Leonard's BoM verse. Thanks for pointing them out. I always love Leonard's ~ or anyone's ~ references to crickets. They are such an evocative soundscape of summer nights.
. . . He drove me through the pine trees at an incredible speed to that realm where I barked with a dog, slid with the shadows, and leaped from a point of view.
I love these images. Barking with a dog... sliding with the shadows... and leaping from a point of view. Forced to reconsider and abandon one's own positions. Roshi taking him to the virtual edge, somewhat akin to what it seems rock and mountain climbers and other 'extreme sports' people experience. Confronting the physical so intensely that you push through the physical barriers to reach the metaphysical, mystical, and spiritual. Really liberating stuff
.
"Sliding with the shadows" ~ such an image. I picture the shadows of trees that are always at some angle... was the vehicle at such top speed that it slid, too, perhaps on 'two wheels' or at least literally sliding at times. Are the shadows internal as well? Forgive my rambling here... guess I'll stop. Just really want to bring those images closer.
Whoops. Here are some of Doron's previous comments on this verse:
he flung me across the fence of the Torah – “The fence of the Torah” is an expression taken from a well-known Jewish source, Mishnah, Avot 1:1 (known in English also as “Ethics of the Fathers” or “Sayings of the Jewish Fathers”). I have already quoted it earlier, during our discussion of I.14 (“Book of Mercy #11-15” thread, on the eighth page). This line also brings to mind the poem “One Of My Letters” (BoL, 5), in which Roshi “silenced” him, apparently cutting short his correspondence with “a famous Rabbi”. Did the correspondence with the rabbi make Roshi jealous? And here, when he flings him across the fence of the Torah, in which direction is it: in or out? I have some more thoughts about all this, but I’ll leave some for later.
Somehow, this fact got eclipsed in my thinking. Very significant that this is an actual Jewish expression from "Ethics of the Fathers"/"Sayings of the Jewish Fathers" ~ I'd be interested to hear your further thoughts on this directional issue. For me, it's as though Roshi insisted on Leonard's being fully present in the moment with the whole of his attention and focus... reminiscent of the snap with a switch when one begins to fall asleep in the meditation hall... one cannot serve two masters, so to speak. So, continuing the correspondence at that particular point in time would only keep him distracted from the lessons of the monastery. Once the 'lessons' were learned... " . . . teacher, are my lessons done?" to whatever extent they were useful or needed for Leonard, Roshi released Leonard back to his Jewish teachers... the "famous Rabbi" and, no doubt, others of his synagogue. That's my take on it
.
~ Lizzy
"Be yourself. Everyone else is already taken."
~ Oscar Wilde